Is anyone else on the edge of their chaise lounge fastening their t-strap pumps about to bust out the Charleston, with the expectation of Bazmark’s hotly anticipated remake of F. Scott Fitzgerald’s novel of the same name?!! It’s almost as if this is the first time we’re all hearing about the decade that was the 1920’s with all the excitement and build up that’s going on. And maybe not everyone will agree on whether or not the film as a whole was worth the delayed release, but much can be (and will be) said for Catherine Martin’s costumes and Miuccia Prada’s collaboration on the project.
The new film of The Great Gatsby will highlight in particular the decadence and frivolity of the 1920’s but with a discernibly modern accessibility, inviting the viewer to appreciate and experience what it would have been like to go to an infamous party hosted by Jay and the many others like him. Fur stolls, miles of fringing, plenty of sequins, feathers and head pieces along with a dress covered with crystals all play a key role in bringing the story forward to take us back again.
Of course the catwalks for the past few seasons have shown hints of the flapper era inspiration, warming the audience up to the idea of 1920’s styling and the trend is likely to continue in one incarnation or another, just look at all the cropped ‘boy’ haircuts on celebrities at the moment or the amount of speakeasy’s (not so quietly) popping up. For the roaring era to be making such a glamorous return to many aspects of fashion and culture, those who’s Midnight in Paris perfect time period is the 1920’s, its time to indulge.